Pintura île d'Ouessant por Novokhatska Olga | Pintura Figurative Landscapes Nature Oil

Pintura île d'Ouessant por Novokhatska Olga | Pintura Figurative Landscapes Nature Oil
île d'OuessantPintura île d'Ouessant por Novokhatska Olga | Pintura Figurative Landscapes Nature Oil
île d'OuessantPintura île d'Ouessant por Novokhatska Olga | Pintura Figurative Landscapes Nature Oil
île d'OuessantPintura île d'Ouessant por Novokhatska Olga | Pintura Figurative Landscapes Nature Oil
île d'OuessantPintura île d'Ouessant por Novokhatska Olga | Pintura Figurative Landscapes Nature Oil
île d'OuessantPintura île d'Ouessant por Novokhatska Olga | Pintura Figurative Landscapes Nature Oil

Descripción de la obra

This unique and original contemporary artwork "île d'Ouessant" was created by contemporary artist Novokhatska Olga.
The artist used oil and acrylic techniques to create this large-format painting on canvas in a figurative style with an urban theme.
información
  • -

    Style : Figurative

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    Subject : Landscapes

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    Subject : Nature

  • - Size : 120 x 40 cm
  • - Colors : Blue
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    Medium : Oil

  • - Compatible frames : 120 x 40 cm
  • - Is framable : yes
  • - Format : large
  • - Material : Canvas
  • - Mounting type : Artwork mounted on stretcher frame
  • - Nuestras recomendaciones : Best-sellers' artworks
  • - Expuesta en galería : Paris 4 Ile Saint Louis

Novokhatska Olga
Novokhatska Olga flag_frFrance
By the age of 16, Olga Novokhatska was certain of her artistic future. She enroll in an arts- specialized high school and was later accepted to the renowned State Academy of Design and Fine Arts in Kharkiv. At the end of her studies, she moved to France in 2008 and obtained a second degree from the Ecole Supérieure d'Art in Lorraine. Since then, Olga has work consistently throughout France. The viewer may be tempted to see a certain form of nostalgia in her work, to recognise someone or to rediscover a place, a situation, a context. But Olga Novokhatska’s works are above all filled with a sense of timelessness. Exploring the relationships between sensuality and materiality, the artist develops a practice halfway between figuration and abstraction, between the infinite and spatial limits.
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